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Even
after the last box had been unpacked, the apartment was still
awful. Iris tossed the empty cardboard box onto the kitchen
floor and sighed, slumping against the stark, white living
room wall, feeling empty herself, and more than a little dispirited.
She
was exhausted, mostly from the cleaning and unpacking, but
also from the long drive across country, which she could still
feel in her bones, even though she’d arrived several days
ago. Her muscles ached with fatigue from the long days of
sitting still, waiting, and her eyes were puffy and swollen
from cardboard dust and tears. She longed for something cozy
and familiar—a cup of tea, a warm room filled with clutter.
Not this place, these foreign rooms that were barely large
enough to live in, yet still seemed so cavernous, so barren.
She
pushed her hair back from her face and looked around the apartment,
searching for something she could change, a rearragement or
a repositioning that might make a difference, no matter how
small. But there was nothing. Besides the bathroom, there
were only three rooms: the tiny bedroom, an eat-in kitchen
and a medium-sized living room with a broken fireplace. All
empty, ugly and bare.
She
missed her things—the old, beat-up couch, the overstuffed
chair her Grandma Sue had left her, the pictures and appliance
cozies and throw pillows and crocheted lace doilies, even
the tired brocade drapes and the thin chenille bedspread,
and all the many, many books and records and literary magazines
she’d hoarded for so long, through her childhood and college.
She even would have welcomed her mother’s hideous silk flower
and wicker basket collection. But everything was gone now.
After she’d graduated, before she’d left for San Francisco,
she’d sold it all.
She
would have liked to keep more, especially those things that
reminded her of her parents, but she never would have made
it out of Baltimore if she had. She’d been too burdened, both
by the weight of all those things, and by the memories they
carried. But now, confronted with a San Francisco summer,
she was cold and she was lonely. She looked out the small
front window and sighed. Already the fog was setting in, a
wet, dismal blanket that seemed to rival even a Baltimore
winter for sheer bleakness.
Iris
frowned at the naked walls and wished again that she had something
to cover them with. The room needed color. She thought for
a moment; she didn’t have any wall hangings and she’d sold
all the framed pictures, but she did have the Indian-print
silk scarf that had been her mother’s. She hated to put it
out where it could be damaged, but it would only be temporary,
until she could afford some things of her own. Besides, her
mother had always said that beautiful things were meant to
be enjoyed, not locked away and forgotten. She went to the
bedroom and took the scarf from her hope chest, where it lay
between layers of thin tissue. Her father had bought this
scarf when Iris was just a girl, had brought it back from
one of his many business trips. She remembered how he’d laid
it over her mother’s shoulders, and the light in her mother’s
eyes as she’d smoothed the fabric with her long fingers. Iris
clenched her teeth and pushed aside the paper, and carried
the scarf to the living room, where she draped it across the
mantel over the dysfunctional fireplace. It helped.
Next,
she pulled out her small collection of framed photos—the rest
were loose, in a box, waiting to be sorted into albums—and
arranged them in an orderly group on the scarf. Her childhood
cats, Twinkle and Betty-Sue, were framed in a silver heart,
Janey, her best friend, who was married and living in Phoenix,
was framed in light wood, and Ramona, her cousin, who was
studying physics at UCLA, was framed in teak. She touched
each face as she set out the photos, and smoothed a few wrinkles
out of the cold silk, seeing her mother’s hands and feeling
the familiar melancholy settle into her stomach. Finally,
in the center of the grouping, she placed her most prized
picture, a glass-framed snapshot she’d taken of her parents,
standing on the front porch of their house, her father’s arm
around her mother’s shoulders, the Christmas wreath on the
door behind them. The picture had been taken the week before
Christmas, three years ago, the week before the car accident
that had killed them.
The
ache in her stomach became a dull, grinding nausea. All day
it had been like this; everything she touched another memory—her
mother’s dishes, washed and neatly stacked in the kitchen,
her father’s footstool next to the small couch she’d bought
second-hand. Everything seemed to carry a picture, and every
picture made her cry. This was why she’d sold everything,
because it was easier, better than crying all of the time.
Even though it had been three years, the smallest things could
still set her off, plunge her back into the dark days just
after the accident. She knew it was important to remember,
but surely there was a point at which it was better to forget?
She shivered, resisted the impulse to turn on the heat, and
instead went to the tiny bedroom for her cardigan. Her therapist
had told her to stay warm.
Wrapping
the sweater around her thin arms, she settled into the couch,
glad to finally be off her feet. She thought about tea again,
but decided she was too tired to get up and make it. She plucked
a long blonde hair off her sleeve and closed her eyes, trying
to relax, but she couldn’t keep from brooding. What would
she do about this miserable apartment? She simply didn’t have
the money to furnish it properly. The rent was terrible, over
a thousand dollars a month, cheap for San Francisco, but her
entry-level accountant’s salary would barely cover it. There’d
been insurance money, of course, but that had all gone to
her education, and her therapy. The sale of the house and
its contents had brought her some money, but the house had
been small, in an unfashionable neighborhood, and her parents
had left behind a great deal of debt, as people often do when
they don’t know they’re going to die the next day. She’d had
enough money for a long trip to Janey’s, with a leg in LA
visiting her cousin, then a two-week stay here, while she
looked for a job and an apartment. Then there was the drive
out here, with the car and trailer rental, gas and hotels,
and then the security deposit and two months rent. She had
very little left. Furnishing this place would break her, unless
she was very careful.
Feeling
a wave of panic wash over her, she began to breathe more quickly,
and felt her throat begin to close up. She tried to imagine
her stone cottage, her safe place, but the image was fuzzy,
unreachable. Her forehead broke out in a light sweat, and
her stomach gurgled and clenched, like she was boiling something
in there. What was she going to do? She’d die if she had to
spend even a week like this. It was bad enough that she didn’t
know a soul in this city. If she didn’t have a home to go
to at the end of the day, some place where she could feel
warm and tended to and safe—
Stop
feeling sorry for yourself, she told herself sternly,
fighting back the swell of panic, pushing it down until it
was a thick, solid lump in the middle of her chest. “Stop
panicking and think,” she said aloud, her voice echoing off
the empty walls. “You’ll be fine. Just think for a minute.
There’s always a solution.” There were probably all kinds
of places she could buy things inexpensively, nice things,
interesting things, things that would make her apartment seem
special, make it a home. She’d just have to figure out where
and how.
She
remembered what the landlady had told her about Mr. Stenko,
the shut-in on the second floor. “Go say hello to him,” Mrs.
Flip had said, “He’s such a nice man and he never seems to
go anywhere any more.” Apparently, he was too fat to leave
the building. But according to the landlady, he’d lived here
for over fifteen years, longer than she’d owned the place.
He’d probably know where to go to buy things, even if he didn’t
go outside. He had to eat, didn’t he?
She
noticed she was breathing more evenly and began, finally,
to relax. Organization and action always helped. She wiped
her forehead with her sleeve and felt the lump subside to
the familiar ache that hadn’t really left her since her parents’
death. That was fine. The ache was manageable; it had to be.
When
she knocked on the door, nothing happened and she thought
for a minute that maybe he’d left the building after all.
But then she heard a rustling noise, a faint swish swish,
and she knocked again. “Mr. Stenko?” she called, hesitant.
After all, she hadn’t even met the man. Who knew if he were
the type that liked being called on unexpectedly? She straightened
her sweater and knocked again, a little louder.
The
door opened suddenly, and Iris jumped a little. An obese middle-aged
man poked his head out from behind the chain-bolted door.
“Yes?” he inquired. The brown eyes, tiny behind loose wrinkles
of skin, looked kind.
“Yes?”
he repeated.
“Are
you M-Mr. Stenko?”
“Yes.”
He didn’t seem at all impatient, as Iris would have been if
someone like she was standing on her doorstep, stuttering
at her.
“I’m
Iris, your new neighbor.” A blank look. “From downstairs,”
she continued, and was rewarded with a wide smile.
“Ah,
yes,” he said, “the girl from Chicago.”
“Baltimore.”
Something about his smile was infectious, and she smiled back,
even though it was the last thing she felt like doing just
then.
“Baltimore,”
he said, “that’s right. Mrs. Flip told me about you.” He seemed
pleased. “You’re in the Chesney woman’s apartment, right?”
He unbolted the chain and opened the door a little wider.
She
did not know the Chesney woman. “I’m in apartment one—” she
started.
“—yes,
that’s it. Apartment one. Glad she’s gone,” he said. “She
was a nuisance…and those ridiculous birds!” He laughed, and
all of his chins shook. He was fatter than Iris thought possible
for a person to be, but he seemed so friendly, you almost
didn’t notice. He was a nice-looking man, she thought, maybe
around sixty, with peppered-gray hair and a safe, familiar
look about him, like an old family dog, or a much-loved stuffed
animal. “Come in,” he said. “Tell me what I can do for you.”
His
apartment was a museum.
The
short hallway opened onto a large room dominated by an enormous
green velvet couch littered with small, oddly shaped pillows
and chenille throw blankets. Thick Oriental rugs covered most
of the wooden floors, and whatever space was free of the rows
of low bookshelves was filled with tiny, impractical-looking
tables—“occasionals” her mother would have called them—covered
with porcelain bric-a-brac and frames. More stacks of books
and magazines were crowded under the tables and against the
walls, and long velvet drapes framed the bay windows.
After
the barren walls and emptiness of her apartment, the riot
of shapes and colors and textures was almost more than Iris
could bear. Her head spun, and she felt slightly faint. But
it was wonderful at the same time, a warm paradise that immediately
reminded her of he mother’s house; her mother’s taste had
been very different, but the feeling of hominess and comfort
was the same. Iris breathed deeply, filling her lungs with
the warm air, and was surprised to feel the lump in her chest
really loosen. She touched her throat and smiled. It was amazing
how much something as simple as a comfortable room could affect
you.
And
then she noticed the walls.
Draped
with dark sage velvet, painted a rich, deep red, the walls
were crowded with row after row of portraits—photographs,
drawings, paintings—hundreds of them, more than she could
count, filling the walls so completely, there was almost no
space between them. “My collection of strangers,” said Mr.
Stenko, laboring down the hall behind her, wheezing, grunting,
struggling for each step. “Aren’t they a nice bunch?”
Iris
stood, amazed, and stared at all the faces.
“I
used to be an antiques dealer,” he said, “always going to
flea markets, estate sales, neighborhood garage sales, you
name it. And among all the detritus of a person’s life, the
books and jewelry and furniture, I’d always find a portrait
or two and bring them home.” He looked at the walls. “It seems
sad doesn’t it? To have such a special momento, maybe of yourself,
maybe your dead wife, then have some stranger buy it from
you and hang it on their own wall, a picture that means nothing
to them, except that they liked it. I always wondered, what
would make a person do such a thing?”
Iris,
thinking of her own sold portraits, knowing exactly what made
a person do such a thing and how much it hurt, said nothing.
But the lump came back, started moving around again, and she
felt like she might throw up.
“Me,
who has no family left,” Mr. Stenko continued, “I could never
part with a memory like that. After all,” he said, “what are
we when we’re gone if there’s nothing left of us behind?”
Iris
did not know what to say.
“But
an old man like me gets lonely sometimes, so maybe it’s okay
if I pretend a little, right?” he winked. “I buy the pictures
and bring them home and hang them on a wall where I can look
at them, talk to them a little—I’m a crazy old man, right?
Talking to pictures? But I got no one else to talk to now,
except the TV, and I don’t like what it says. These people,
they’re almost like family to me now. And I know how to take
care of family, right?” He gestured at the wall. “Even if
they’re gone, you got to make sure they’re not forgotten.
A nice girl like you, I’m sure you take real good care of
your family.”
Iris
did not know if it was guilt or panic—or maybe a little of
both—but whatever it was, it hit her hard, like a wave, or
a wooden plank, knocking the breath out of her.
“I’m
sorry,” Mr. Stenko said, looking at her closely. “I’ve hurt
you, haven’t I?”
“N-no,”
she whispered, staring at the ground. “I’m fine.”
“Yes,”
he said, “You are upset.” He led her back to the door, his
pants making the swishing sound she’d heard earlier. “It was
nice of you to come say hello, but you should go now, and
get some rest. I can see that you are tired.”
She
smiled weakly and started to say something, but he forestalled
her with an upraised hand and gently pushed her out the door
with the other.
“No,”
he said. “There is no reason for you to apologize. We are
strangers—we have just met. There is no reason for you to
tell me anything.” He smiled. “But we are also neighbors,
and so tomorrow night you will have some dinner with me.”
Iris
felt so relieved she couldn’t speak for a moment. What a nice,
nice man he was. “That would be lovely,” she said, her cheeks
warm with gratitude and pleasure. “But what can I bring?”
Her mother had taught her never to arrive empty-handed.
He
thought for a moment. “A little wine goes nice with my chicken
saltimbocca,” he said, and grinned at her.
“I’ll
bring wine then,” she said, and he closed the door.
The
next day was Monday, the first day of her new job, and about
as horrible as she’d feared it would be. The Accounting Manager
had shown her around, introduced her to a sea of clean, urban
faces, but then she’d been left at her desk with a sheaf of
hiring paperwork, to “sort herself out,” and she hadn’t the
faintest idea of what came next. The stack of papers seemed
insurmountable, and her stomach couldn’t bear another cup
of coffee. She felt helpless, a child, and she didn’t know
how she was going to make it through the day.
This
was her first real job. She’d taken it—an Accounts Receivable
clerk at a Big Six tax firm—hoping to make things easier on
herself and alleviate the need to make any more decisions
for awhile. These kinds of companies didn’t usually encourage
artistic creativity, but at least they were predicable: you
did your job about ten percent better than you had to, and
you advanced on a regular basis. It seemed easy enough, and
surely she’d make friends. But alone at her desk—which was
as barren as her apartment—she was just one pod in a maze
of cubicles, and she felt even more isolated than she did
at home. What if she couldn’t even do the work that was required,
let alone ten percent better?
She
felt the onset of another panic attack, and gripped the edge
of her desk, terrified. What the hell was she going to do
if she lost it here, on her first day? They’d fire her for
sure, and if they didn’t, she’d be branded the office freak.
C’mon, girl, get yourself together. She tried to control
her breathing. Think of something nice, something pleasant.
She closed her eyes. But instead of her normal stone-cottage
safe place, she found herself thinking of Mr. Stenko’s apartment.
She imagined the wall of faces, stretching up to the ceiling,
off into the distance, the different eyes and cheeks and noses,
the old-fashioned hairstyles and the gilt frames. And then
she imaged herself sitting on that green sofa, sipping a cup
of tea, and she felt better. Not great, but definitely better.
“Thank
you,” she whispered, and started filling out her paperwork.
She
brought two bottles of red Italian table wine. They weren’t
expensive, but they were the best she could afford. She hoped
Mr. Stenko would like them.
He
opened the door right away, and greeted her with even more
warmth than he had shown her last night. “My Baltimore girl!”
he cried, “Come it!” He moved back against the wall and ushered
her in, closing the door behind her.
“I
brought these,” she said, holding out the bottles. “I hope
they’re okay.”
He
took them from her and inspected the labels closely. “These
are wonderful,” he said, “I serve the very same at my table.”
Knowing
how little they’d cost, Iris doubted that, but she decided
it didn’t matter.
“Go
in,” he said, shooing her down the hall, “please, be comfortable.
I will attend to the chicken, and then I will open this wine
and pour us each a glass.” He disappeared into the kitchen.
Iris
sat on the edge of the couch, feeling at once safe and warm.
The delicious food smells wafting from the kitchen were making
her stomach rumble, with hunger for once, and not anxiety.
She wondered what chicken saltimbocca was. Chicken with bacon,
maybe? Whatever it was, she was sure it would be delicious.
She had a feeling Mr. Stenko was a good cook.
She
looked around the room a little, feeling less overwhelmed
than she had the day before. She had wondered how Mr. Stenko
could move around in here without knocking things over, but
she saw now that there were wide paths between the furniture
and stacks of books. Craning her head around, she got a full
view of the room and estimated that it must be twice the size
of her whole apartment. She must have the manager’s apartment,
or something like that.
The
kitchen door opened and Mr. Stenko came out, carrying two
wine glasses, a bottle of wine and a corkscrew. Iris got another
whiff of dinner before the door swung shut again, and she
caught a brief view of a bright, happy kitchen, with yellow
walls and red cabinets. He made his way toward her, pausing
to rest his hand against the wall. She didn’t like the way
he was breathing, and wondered if he took blood pressure medicine.
In a moment, he seemed to recover, for he stood upright and
walked the rest of the way to the couch faster than she thought
possible.
“And
now for the wine,” he said grandly, settling on the sofa next
to her. She rose at least six inches when he sat down, and
she quickly rearranged herself so he wouldn’t notice. She
didn’t want to hurt his feelings. He deftly opened the wine
and poured a generous measure into one of the glasses.
“Here
you are—” he looked at her, frowning. “It seems that I do
not know your name.”
Iris
blushed, realizing he’d forgotten but not wanting to embarrass
him. “It’s Iris,” she murmured, taking the wine.
“Iris.
What a lovely name for such a young girl who resembles a flower.”
He poured himself a glass and held it in the air. “A toast,”
he said, “to Iris, who will be my most lovely new neighbor.”
Iris
giggled and took a sip of the wine. It wasn’t altogether wretched,
but it wasn’t great. Mr. Stenko took a hearty gulp and set
the glass down on the coffee table.
“So,”
he said, “now you will tell me why you moved to San Francisco.”
He looked at her expectantly.
She
cleared her throat. “Well,” she said, staring into her wine
glass, “I don’t really know.” She looked up at Mr. Stenkko,
but he was watching her attentively, his brow slightly furrowed.
“I mean,” she continued, “I had to move somewhere, didn’t
I? I was done with school…” her voice trailed off.
Mr.
Stenko still didn’t say anything, but waited patiently, almost
like her therapist, for her to continue.
She
thought for a moment, and her eyes lost their focus. “Something
about this city seemed to call me, seemed to tell me that
if I came here, took the chance, that I wouldn’t be sorry.
That I’d be glad I came. That I’d find a home here, or something
else just as important.” Lost in thought, she stared again
into her wine, not noticing the silence that filled the room.
When
he spoke, Mr. Stenko’s voice was gentle, “San Francisco can
be very kind or very cruel.”
Iris
started. “What do you mean?” she said. How could a city be
cruel? Yet it sounded right somehow—she’d had the feeling
when crossing the Bay Bridge that a city so beautiful must
have some very sharp edges.
Mr.
Stenko took another long drink of wine, then refilled his
glass. “Thousands of people, every year, move here in search
of something…a career, a life, friends, lovers, family…sometimes
just in search of themselves.” He touched his chest. “Not
everyone finds what they are looking for. And what they sometimes
find instead can kill them inside…” he looked sad, but then
his eyes brightened. “And sometimes what they find can give
them life. Sometimes, they just hear a call to move on, take
what they’ve learned and settle down elsewhere.” He laughed.
“I suppose one never really knows.”
“I
suppose not.”
“But
one can hope for the best,” he said.
“Of
course,” she said, her voice emotionless. “Once can hope.”
He
looked at her for a long moment. She didn’t say anything,
just stared at the floor, feeling the familiar panic start
to rise. Was there hope?
“And
now,” he said softly, “if you do not mind, you will please
tell me why you are looking so sad.”
Iris
finished the last of her wine and held it to be refilled.
“My parents died three years ago,” she said, watching the
dark liquid swirl into the bowl of the glass. “It was Christmas,
and they were on their way home from a dinner party, and some
drunk plowed his car into them and killed them.”
“I’m
so sorry,” Mr. Stenko murmured. “That is a terrible loss.”
“That’s
not it though.”
“No?”
“I
mean, there isn’t a day that goes by when I don’t think of
them and miss them, but it’s more than that.”
“Yes?”
“It’s
all of this,” she gestured into the air, “the move, the new
job, being in a new city, with no friends…no family.” She
couldn’t help it; tears began to trickle down her cheeks and
she heard her voice waver. “It would be bearable if I had
a home to come home to every day, but that place,” she waved
her hand in disgust and made a face.
He
produced a clean handkerchief from somewhere and handed it
to her.
“I
think it would be easier for me if I’d been able to keep more
of my things,” she said, wiping her cheeks. “I mean, not just
the dishes and the footstool, but the things that really meant
something…the things my parents left me, the things I grew
up with. I feel so guilty for not trying harder to hang on
to it all. But it just seemed like the right thing to do,
you know? Every time I walked into a room, there was something
of theirs to remind me of them. It hurt so much, all of the
time, and it wasn’t getting any better. Finally, my therapist
suggested I sell it all, but free of it altogether.
“The
day of the sale, I felt…liberated. Free.” She took a long
drink of wine, which had grown slightly warm. “But then I
felt like a traitor. Like I’d taken their whole lives, everything
they’d worked for, and just thrown it all away. And I think
that a part of me just can’t forgive myself for that.”
Mr.
Stenko smiled at her, a sweet, fatherly smile that made her
cry harder. God how she missed her Dad. If she could just
see him again, smell him…
“Ah,
yes,” he said. “You cannot forgive yourself. This I understand.
But, sweet Iris, you must.” He stood up. “Now I must check
on the chicken. You will wait.”
By
the time Mr. Stenko came back, Iris’s eyes were dry and her
face clear. She felt a little better, not great, but she was
most definitely hungry. Hearing her stomach growl, Mr. Stenko
laughed and disappeared into the kitchen for a moment more,
returning with a forkful of dark meat—“spoonmeat,” he called
it—and said that dinner was almost done. The chicken was delicious,
which wasn’t surprising at all, considering how fat he was.
Iris blushed, ashamed of her cruel thought. “It’s wonderful,”
she said, licking her fingers.
Mr.
Stenko seemed to read her mind. “Fat people are always the
best cooks,” he said, “because they perceive food as their
lover.”
Iris
was mortified. “But—“ she began, then realized she didn’t
know what to say.
“But
I wasn’t always this fat? No, of course not. Once upon a time,
I was just a chubby little antiques dealer with a passion
for Russian and Italian food. But then, after Danya left…”
“Danya?”
“Yes,
Danya.” His voice was flat. “My wife. She left.”
“Oh.”
How sad for him, she thought. He was such a kind man.
“It
was cancer.”
“Oh.”
“Yes.
It was…difficult. I tried, but I could not find sufficient
reason to continue my life after she left. I loved her too
much to destroy myself, so I did this instead.” He patted
his ample belly. “Much more preferable an alternative,” he
said, “Wouldn’t you agree?”
“I’m
so sorry for you.” In that moment, carrying the weight of
that sadness, he reminded her again of her father, who had
lost his own mother before Iris had been born.
“For
a long time, I was indeed very sorry. Like you, I was surrounded
with many things that reminded me of Danya. Her clothes, her
shoes, blankets she had slept under, her ridiculous little
hats—and the smell of her…” he inhaled deeply. “I could smell
her everywhere.”
“What
did you do?” Iris asked.
He
looked at her, levelly. “Like you, I got rid of everything.”
“But—”
Iris started, looking at the clutter with amazement. How much
more had there been?
He
saw her startled look and laughed. “Ah, but I told you I was
an antiques dealer, did I not? There was much, much more at
one time.” He poured them both more wine, emptying the bottle
into Iris’s glass.
“Do
you ever feel guilty?” Iris asked in a small voice.
“No,”
he said, setting the empty bottle on the table. “No, I do
not.” He picked a small, framed photograph off the table next
to the couch and held it out to her.
“Danya?”
she asked, taking the photograph. Two large, lovely brown
eyes stared out beneath a mass of curly brown hair.
“This
was taken when she was forty-five,” he said. “Less than one
year later, she had lost all of that hair to chemotherapy.
We cried together the night the last lock fell out. Danya
was always vain about her hair.” He took the picture from
her and turned it over, opening the easel back. “Here,” he
said, showing her, “this is the lock we saved.” A thick brown
curl lay against the back of the photograph. He touched the
tip of his finger to it, gently, as if he were afraid it might
blow away. He smiled, did not shed the tear Iris was certain
she saw hovering in his eye, and closed the back of the picture,
returning it to the table.
“So
you see,” he continued, “that she is here,” he touched the
photograph, “and here,” he touched his chest, ”and so I have
not betrayed her.” He looked at her with great seriousness,
and spoke slowly. “Whenever I think of her, she is alive.
And because I will think of her forever, she will be alive
forever. I do not need physical reminders that she once existed.”
He was silent a moment, looking at her. “Do you understand
what I am saying to you?”
“Yes,
she said, “I understand.”
“That
is good,” he said.
“Mr.
Stenko?” she asked, wiping again at the tears that had resurfaced.
“Yes,
sweet Iris?”
“What
is chicken saltimbocca?”
He
smiled at her, but did not laugh. “Come and find out,” he
said, rising and shuffling toward the kitchen.
Two
weeks later, with her first paycheck in the bank, Iris stopped
at the antique store she’d passed every day on her way to
work. Cluttered and dusty, the store looked like a good place
to begin her shopping. It didn’t seem like it would be expensive.
She’d wanted to come in before, but she’d been unwilling to
even look until she had some money to spend. Now, after two
weeks, she had allocated twenty-five dollars for this project—not
much, but enough to buy at least one thing, something nice
to welcome her to San Francisco.
Browsing
through a rack of glass candy dishes and vases, Iris thought
about the last two weeks. They’d been tough, but she thought
she was maybe going to be okay. The job was a good one, not
too difficult, but still challenging enough to be interesting.
The people seemed nice too, and fairly eager to be friendly.
She had a lunch date on Monday with one of the other accountants,
a woman named Mary who’d been recently divorced. She still
felt a little unsteady, but the panic attacks had stopped,
for the time being at least.
Mr.
Stenko had really helped her. Since the night of their first
dinner, she hadn’t had a single attack. She’d been scared
at times, and nervous pretty much all of the time, but the
feeling of raw panic hadn’t come back at all. With it, the
unbearable guilt had gone as well, freeing her so much that
she even seemed to walk easier. She was still sad—she would
always be sad—but she didn’t feel so desperate.
The
apartment was still pretty inhospitable, but she’d spent most
evenings and all of last weekend painting the walls with some
leftover paint she’d found in the basement. She’d gone down
there looking for some light bulbs, and seen a whole stack
of cans, some of them not even open. She’d asked Mr. Stenko
about it, and had been told that Mrs. Flip’s nephew was a
contractor, and that he stored supplies from previous jobs
here, in the basement. Apparently, they were free to use the
stuff. She’d been a little afraid of what Mrs. Flip would
say, but when she asked if she could paint, the landlady hadn’t
seemed to care too much. “Long as we can paint over it when
you leave,” she’d said, “I don’t care what you do to the place.”
Iris had painted the kitchen a warm melon color with sunny
yellow trim. She was going to paint the tiny living room a
vibrant purple, which ought to bring a little life into the
room. She’d debated over what color to paint the bedroom,
but finally settled on a deep red that was so similar to the
walls in Mr. Stenko’s apartment, she figured it must have
been left over from when he’d had them painted.
Even
past alleviating her sense of guilt, the warmth Mr. Stenko
had shown her had sustained her through the cold morning walks
to work and the lonely nights alone with her paintbrush. She’d
had dinner with him twice more since then, wonderful veal
and pasta dishes, spiced with wine and conversation just as
rich as the first time. He really was a wonderful man. But
she hadn’t seen him in several days. On Tuesday, when she’d
gone up to say hello, he hadn’t invited her in, saying he
wasn’t feeling well. She’d worried about him, but he’d told
her not to be foolish. That he was an old man with aches and
pains, and that if he paid attention to every one, he’d never
have anything else to think about. She hoped to catch him
tonight, or at least some time this weekend, and had thought
several times about the meal she’d cook him if given the opportunity:
her mother’s Italian sausage with red sauce over penne, a
family favorite.
She
had just picked up a clear glass bowl that would look beautiful
holding fruit, when she noticed the shelves on the other side
of the glassware section, shelves that were filled with old
pictures. Only one caught her eye, a small, ornately framed
standing daguerreotype of a man from the turn of the century.
Instead of the serious, somber expression Iris remembered
seeing in such portraits, the man appeared to be laughing,
a pose Iris knew would have been difficult to sustain for
the length of time it took to produce a daguerreotype. It
was as if it were so important to this man to be captured
laughing, to be immortalized as his true and joyful self,
that no mere inconvenience such as comfort would have deterred
him. His kind brown eyes smiled out from under a thick swatch
of brown, curly hair. He looked a little like Mr. Stenko,
like he might have looked before he got so fat. Maybe it was
the joy, or the brown eyes. She decided to buy it for Mr.
Stenko, a thank-you gift for all he had done for her.
It
will look nice next to the picture of Danya, she thought,
and placed the glass bowl back on the shelf.
Turning
the corner onto her street, Iris was surprised to see Mrs.
Flip standing on the front stoop barking orders at two workmen
who were carrying boxes out to a large, green dumpster. Hearing
the crashing sound of breaking glass, Iris ran up the stairs
and asked the landlady what was happening.
“Oh,
old Mr. Stenko died,” she said, mopping her dripping forehead
with her sleeve.
Iris
felt a chill pierce her that was far colder than anything
she’d felt since her parent’s had died. “What?” she asked,
her voice barely audible. It didn’t make any sense.
Mrs.
Flip shot her an impatient look. “Mr. Stenko,” she said, “from
the second floor—“
“I
know who he is,” Iris said, growing angry.
“Well
he died. Heart attack.”
“When?”
Mrs.
Flip looked around, then lowered her voice as if imparting
some piece of juicy gossip. “That’s the sad part,” she said.
“He died two days ago. But he was all alone in there, so no
one even knew he died until yesterday, when his food delivery
man came to get the grocery list.” She looked at Iris suspiciously.
“Did you go and say hello to him like I told you to?”
“Yes,”
Iris whispered. “We had dinner.”
“Then
you know what a sweet man he was. I never had a better tenant
than him,” she said, “even if he was a little weird. I mean,
he never left the house, being so fat and all, but he always
paid his rent on time and never made a peep about nothing.
I’m gonna miss that old guy.”
Iris
was silent.
Mrs.
Flip folded her arms under her breasts and clucked her tongue
against her teeth, shaking her head. “Poor man, to die all
alone like that. I guess that comes from having no family
or nothing. No one to notice when you’ve gone. No one to care.”
Iris
felt a strange sense of familiar dislocation. She shook her
head to clear it. “What will happen to his things?” she asked.
“Well,
some things—the furniture and all—I had taken away earlier
today. They’ll be sold,” she continued in a matter-of-fact
tone, “and the proceeds given to me to pass on to charity
of some kind. He didn’t have no will—or nothing too valuable,”
Mrs. Flip sounded almost defensive, “So there won’t be much.
Most of this stuff,” she waved her hand at the dumpster, “it’s
all crap anyway. I’m not even going to bother to sell it,
all them junky knick-knacks and pictures and things. Never
did I see so much trash in one place—“
“You’re
throwing all his things away?” The dislocation instantly melted
into anger. She felt like slapping the woman. How dare she
throw his beautiful pictures away?
“Well,
I told you I’m going to sell the furniture—” Mrs. Flip looked
genuinely startled, as though Iris had, indeed, punched her.
“How
could you?” Iris shouted, pushing past her. “This was his
life!” She gestured at the boxes of broken frames and felt
the anxiety again, in the pit of her stomach, an angry fist
punching her from inside. “You’re throwing away his life!
Doesn’t that mean anything to you?”
She
ran up the stairs. The workmen were in the bedroom, loading
up another stack of boxes to throw in the dumpster. Iris looked
wildly around the living room, empty except for a few carelessly
packed boxes. The walls were bare and the furniture gone.
She began to sort through the boxes, carefully at first, then
faster, almost frenzied. She cut her hand on a shard of broken
glass, but barely noticed, holding the bloody hand to her
mouth as she moved to the next box.
She
found what she was looking for in the fourth box. The glass
was broken, but the picture itself was unharmed. She pulled
out the daguerreotype she’d just purchased and held it next
to the portrait of Danya. They seemed to belong together,
and the resemblance was so strong…It wasn’t Mr. Stenko, of
course, that would have been impossible. But the look of him
was there, the same deep eyes, the corners of the laughing
mouths turned up in the same joyful curve. He really would
have loved it.
She
sat back on her heels and surveyed the ruined apartment. It
looked almost like her own now, she thought without irony.
How funny that was. She imagined the immense velvet couch,
and the tiny little porcelain figurines, and tried not to
cry. She could almost hear him laughing. She thought about
running downstairs and seeing what she could salvage from
the dumpster. Something small, something to remember him by.
But then she remembered what he had said about memory, and
things, and she knew there was no point. If she could leave
her own things behind, she could leave Mr. Stenko’s. After
all, it wasn’t like she was going to forget him any time soon.
That just wouldn’t be possible.
“Oh,
Mr. Stenko,” she said, into the empty apartment, “I’m so sorry.”
Her voice echoed off the bare walls. “But don’t worry, okay?
I have her now,” she touched the small portrait. She would
put both pictures on the mantle in her living room, next to
the picture of her parents. That would be suitable. And then
that would be enough of grieving—for a long time, she hoped.
She stood up, and walked down stairs to her apartment. The
ache in her middle was already beginning to fade.
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