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©2000
Rob Weisbach Books/William Morrow
Jane
sits on the front patio of Café Sol with Tad, whose eyes follow
her hands as she draws a crayon house on the paper tablecloth.
They wait to order. Watch their waiter, mobbed, scuttle by
without comment. It is sunny, a Saturday, and they are in
love, although if asked, only one of them would admit it.
She
colors the house yellow, picks up the blue crayon, adds two
lines and a circle to the space next to the house. A blue
tree. She draws another, considers an owl. Below the tree
she sketches a happy paper family—mother, father, boy and
girl—with round heads and beaked noses. Perhaps they are owls,
after all. She leans over her cup to select another crayon
and notices Tad speaking to her. He is asking about the trees,
what’s up with the trees, and she looks around, confused.
Trees are seldom found in restaurants.
Tad
sighs heavily, taps the paper, looks at her with the patronizing
smile to which she has become so accustomed. She is dim, she
sees him thinking, deficient in brightness. She wants to rip
his face from his head—dig her nails into the flesh at the
base of his hairline and peel his face away as though it were
an herbal mask. She wants to shout at him, beg him to be nice
to her, it is Saturday, a fine day, and they are in love.
But she does nothing but smile. Because he is Tad. “What did
you say?” she asks. “I’m sorry, I wasn’t listening.”
“These
trees here,” he points, “what did you mean by them?” She looks
down at the circles she has, for no particular reason, colored
blue. “There’s a green crayon right here in the cup,” he continues,
stirring the crayons with his finger, “yet you chose the blue.”
He smirks. “Is everything okay in your world? Or are you feeling
a little blue?” His mouth flat and hard, his eyes amused.
Her fist in his face, once, quickly, so appealing this fine
day. “Why are you looking at me like that?” he asks. “Am I
drooling or something?” He wipes his mouth with the back of
his hand and examines it.
Jane
keeps her mouth shut, a decision she has made with growing
frequency in the two years Tad has been her lover. In the
beginning, it hurt her feelings when he laughed at her. She
sulked, which only made things worse. He invariably laughed
harder: her silly emotions, her quirky acts of self-indulgence.
She used to argue with him when he got that way, react to
him, but she soon learned it was easier to just laugh back,
even if it meant she was laughing at herself.
Her
friends berate her, constantly. Ask her why she puts up with
it, the teasing, the slighting and rudeness, the malicious,
infantile jabs at her expense. She’s tried to explain, but
her friends—who have never seen that sugar-sweet puppy-love
look in Tad’s eyes, never seen Tad-in-Action, charming everyone
from her Mom to the Ralph’s checkout clerk, never seen Tad
zip down Beachwood Canyon Drive in his steel-gray Kharmen
Ghia, doing well over seventy on a recklessly narrow road—simply
don’t understand. And although it’s true that Tad doesn’t
always treat her as well as he might, she consoles herself
with the irrefutable knowledge that he loves her almost as
much as she loves him. Besides, she thinks, it’s better than
being alone.
Tad
asks her again why she has chosen to color the trees blue.
“Because
they’re sad,” she says, for want of a better answer. Looks
into his eyes and smiles. How blue they are, she thinks, his
eyes, the color of ice melting in the sun.
It
is then that he kisses her, leaning over the spill of olive
oil in the center of the table, taking her face in both hands
and laying his lips on hers, holding them firmly, teasing,
for one minute, two. She feels the kiss in her stomach, blooming
like spilled blood in a pool of water. She sits, motionless,
while he withdraws, raises his hand to brush her hair back
at the temple.
“Silly
Jane,” he says, tracing her lip with his finger, “sometimes
I think I love you.”
She
stops breathing. Today is Saturday, she thinks, June 14th.
“Look,”
he says, “the waiter’s coming.” He opens his menu. “Are you
ready to order?”
Jane
would like to start over from the beginning, but she doesn’t
know where that is any more. Sometimes she feels as though
she is standing alone, at the center of time, able to see
both forward and back, into and out of a great infinity. Here
everything seems clear. Here she can stop and wait and take
it all in, turn it over and make sense of it before going
out into the world again. But as soon as she takes that first
step, she slips and slides, like she’s wearing new shoes,
and she loses focus of everything. If the world moved a bit
slower, she thinks, if she could just slow it all down for
one damned minute, she might be able to walk in a straight
line without falling. As it is, she has no idea of where she’s
going, and has long ago lost sight of where she’s been. She’d
like to examine herself, figure out what went wrong, what
and when and why, but when she looks inside, all she can see
is Tad.
Their
good mood stays with them through lunch. Eggplant parmigiana.
Smoked turkey with basil. A light Chianti. Tad picks up the
check and Jane fixes her lipstick.
Afterward,
they stroll down Melrose, peer into shop windows and laugh
at the tourists. Tad buys her a small brass incense burner
and a bunch of green glass grapes. When they cross the street
to the car, Tad takes her hand and keeps it—even after she
steps up the curb on the other side. It is a beautiful day.
Tad
open the passenger door for her and suggests they take a drive.
“Not far,” he says, “maybe through the hills along Mulholland.”
She smiles, nods and climbs into the car. Tilts her head back
against the seat, opens her mouth wide to catch the sunshine.
Tad flings the car toward Cahuenga, and they are off.
A
little later they are parked on a low rise near Lake Hollywood.
Jane sits on the hood of the car, lags wrapped around Tad’s
waist, her skirt fallen back to her hips, peering out from
behind him, over his shoulder. Tad leans against her, pointing
out houses of the rich and famous.
“See
that striped house? It’s Madonna’s.”
“No,
it’s hideous!”
“It
is, it is. She paid millions to have it painted that way and
the neighbors are suing her.”
“For
what? Disturbing the peace?”
“More
like public indecency.”
“You’d
think they’d be used to it by now...”
Their
conversation is unimportant. All that matters is her bare
legs around his waist. The sun shining down on them. Heat.
Warming the skin. She leans into him, crosses her ankles tighter
around him, runs her hands up the back of his head. Kisses
his neck. He turns. Imprisoned. Swallows her.
“I
like it when it’s like this,” he says, some time later. “No
one else does this with me.”
“Does
what?” she asks. “Parks?” They lay on the hood of the still-warm
car, Jane’s skirt in the dirt by the wheel. She laughs.
“Yes,”
he answers. She hears the gravity in his voice and turns toward
him. “I mean,” he continues, “I have to be so many people
for everyone else, all the time. With you I can be myself.
It’s nice. Jane, I—”
Today
is Saturday, June 14th. My God, she thinks, I can’t believe
he’s finally saying it.
Tad
leans down and kisses her, gently, with his eyes open, and
Jane tastes salt from tears she didn’t know she was crying.
She pulls away. She cannot trust this moment. It may not be
happening. He touches her cheek with the tip of one finger
and holds it up to the light. It sparkles. Behind it the sky.
A world of blue. The happy paper family.
“What’s
wrong?” He asks, “why are you crying?”
His
eyes, she thinks, so blue. The sun behind his head. Dazzling.
“Because,” she says, “I feel safe.” And she does.
He
frowns. “Is there something wrong with that?”
She
nods. “I’m afraid.”
“Of
what? Of this?” He gestures, expansively, the sky, the hills,
himself.
She
nods again.
“Why?”
“It
will go away.” She hears the truth in her voice and hopes
he does not. She bites her lip, tries to stop crying. She’s
being a fool.
Tad
laughs at her. “Silly Jane,” he says, stroking her back, kissing
her. “Don’t be afraid. Everything will be fine.”
Back
in the car, careening down the hill, Tad turns the radio to
the disco station she loves. Someone left the cake out
in the rain...
They
speed along Hollywood Boulevard, singing as loud as they can,
shrieking at the pedestrians who turn to stare at them. The
song segues into Captain & Tennille. They love Captain
& Tennille. Jane shouts and turns the volume knob far
to the right, singing her own lyrics, waving her arms in hula
parody:
Love—love
will keep us together
think
of me, boy, whenever,
some sweet-talking boy comes along,
singing his song,
blah-blah-blah-blah
you’ve just got to hold on
and STOP, ‘cause I really love you.
STOP, I’ll be thinking of you.
Look in my heart and let love
keep us together.
She
collapses into a fit of giggles as the song ends. Tad looks
at her sideways. “You’re demented,” he says.
“Am
not!”
He
doesn’t answer, leans over and turns down the radio.
“Do
you want to go out tonight?” she says.
“What?”
“Do
you want to go out tonight?” she repeats.
“Where?”
“The
Green Room...it’s Disco Night...you like it there, remember?
Moe’s place, over off Sunset?”
He
thinks it over.
“We’ll
have fun. It’s been awhile since we’ve been out. Together
I mean.”
He
looks at her.
“I
mean, we can go somewhere else if you want. We don’t have
to go there.” She shuts up. Doesn’t want to spoil things.
“Why
not?” He turns the car toward her apartment, tires screeching
madly. Love, love will keep us together. She can smell
him on every part of her body.
Back
at her place, Jane fixes herself a drink while Tad studies
her closet. He likes to dress her when they go out. She’s
not sure why. It might be a weird part of his bisexuality.
Or maybe he just thinks her incapable of making herself fit
for public viewing. Whatever. He always does a good job.
She
used to mind this ritual when they first started dating. She
thought it might be a bad idea to let him shape her into something
she wasn’t or into something she didn’t want to be. Her friends
agreed. But then, like in so many other things, she gave in
and let him have his way. Much easier. Besides, she likes
this masquerading business. It’s fun, like playing dress-up
with Mommy’s lingerie. And after all, they’re her clothes
to begin with. It’s not like he tells her what to buy—Tad
never tries to change her. He just rearranges things a little.
If she were alone, it wouldn’t matter what she looked like.
She reminds herself.
Tad
shouts, triumphant, and Jane puts down the drink. Heads for
the bedroom. She can hear Lou Reed crooning on the stereo.
Forty
minutes later, Tad steers her into the bathroom to admire
his artistry. She is astounded. While he always does an interesting
job on her, tonight he has taken her to a place she’s always
wanted to go but never had the directions. He’s dressed her
in a tight orange halter-top and low-slung, frayed brown jeans.
Her Halloween glitter platforms. Giantly teased hair and shiny,
shiny makeup. A smear of gold glitter gel on her arms. She
can see her nipples through the cloth of her shirt.
She
turns to him and squeals, throwing her arms around him, smearing
burgundy lip-gloss down the side of his face.
“Stop,”
he says, holding her arms to her sides. “You’ve already ruined
your lips. Do you want to fuck up your hair too?”
In
the car, Jane breaks a rule.
“What
do you mean, ‘what am I wearing?’” Tad throws the car into
third. “I’m wearing clothes.”
“Yes,
but I mean tonight. What are you wearing tonight?”
“Do
you have a problem with what I have on?” Tad, clad in over-sized
jeans held up by a homemade rope belt, an A Team T-shirt and
a yellow windbreaker, looks at her down the bridge of his
nose.
“No,”
Jane says, “I mean, you look fine.”
“Then
what’s the problem?”
“Nothing,
I just thought that since I changed—”
“You
expect me to drive all the way back to UCLA to change my clothes?
Just because you changed? I have news for you, dear. I don’t
need change.” He slammed the car into the left lane
and downshifted. “Now chipper up, we’re almost there.”
“Where?”
She asks, voice small.
“Tony’s,”
he says. “You don’t think I’m going to this thing sober, do
you?”
Jane,
fingernails breaking the skin on the palms of her hands.
It
is nearing midnight when they finally arrive at the club.
Jane, who used to go to bed at eleven, feels a proprietary
smugness as they walk to the head of the long line. The door
guy sees them and beckons them forward.
“Tad,
man, howsit goin’? You alone tonight?”
Jane
slips her hand into the crook of Tad’s arm and smiles.
“No,”
Tad replies, removing her hand from his arm. “Jane, you’ve
met Danny right?” He looks sideways at the door guy, lips
curved. Coy.
Jane,
who watched Danny kiss Tad on her balcony two weeks ago, feels
mildly nauseous. She hates it when he flirts with men in front
of her. She affects a look of mild confusion. “I met you at
Tony’s, right?” she says, but no one is listening.
“Tad,
man, you spinning tonight?”
“No,
I’m just here to listen.”
“Good
deal. But hey, look, the guest list’s pretty full, and I got
busted last night for letting in too many comps. Is it cool
if I comp just you?” He does not look at Jane.
“No
problem,” Tad says, “Jane has cash.” He smiles over his shoulder
at her. “Okay, honey?”
“Sure,”
she says, fumbling with her purse.
He
kisses her cheek. “Don’t be too long,” he says, walking through
the door.
Jane’s
purse slides out of her hand, spilling change and lipstick.
The door guy groans. “I’m sorry,” she whispers, bending down
to retrieve her things. Idiot. “I’ll just be a minute.”
“Whatever.”
At
least he didn’t make her wait in line.
Down
the hall, she finds Tad schmoozing the bar guy. She can’t
remember his name, but she’s pretty sure Tad hasn’t slept
with him.
“Mango!
Mango!” says the bar guy.
“Guava!”
Tad yells.
The
bar guy laughs and takes out a colored bottle of Stoli. He
looks over Tad’s shoulder at Jane. “Hi, pretty lady. Need
a drink?”
Jane
feels herself blush. “I—”
Tad
notices her. “Hey, Hon, why don’t you grab us some wall while
I get these drinks.” He turns back to the bar guy, who laughs
again, louder.
Jane,
leaning against the wall by the bar, is having trouble seeing
in increments of one. The passing faces smile too broadly.
Begin to blur into groups of six or seven. It’s not that she’s
drunk—she always gets like this when she’s alone and sober
in clubs. It’s as if all the people are interchangeable, part
of one master unit with which she is shockingly unfamiliar.
Each a tiny sun, together a galaxy. Herself a lump of mud.
The same story, why Tad dresses her—this in a moment of clarity
one night—does not play well with others. An unproductive
member of her peer group. Needs more socializing.
Tad
had better come soon with the drinks. In Jane’s opinion, clubs
and sobriety are incompatible.
She’s
trying to regain her good mood when Tad approaches with two
drinks and a blonde. “This is Lara,” he shouts over the music,
thrusting a martini in her general direction. “We had Modern
Europe together. She’s never been here before, so I told her
she could join us. That’s okay, right?” He smiles and turns
to Lara before Jane can respond. Jane, for whom this is not
okay, takes her drink and begins to nuzzle it. She has become
accustomed to his blondes, and his brunettes and redheads.
At least they were women, and therefore unlikely to regard
him with anything but amusement. She sips her drink viciously.
The fucker.
Meanwhile,
Lara, who apparently has no idea that Jane means anything
to Tad, giggles and drinks her Mai Tai too quickly. Jane suspects
her interest in Tad is based on the Free Drink Principle—which
is fine and dandy provided she leave when her two-drink quota
was met.
Tad
leans in and whispers something to Lara. A joke, from her
hyena laughter. Staring out at the mad, laughing crowd milling
around the bar, Jane suddenly hates them all. They look just
like ordinary people, she thinks. What makes them so fucking
special? She’s getting bitter, she knows. Can’t help it. It’s
all about what you can get, not what you can give. Who you
know, not who you are. Like the movies. Sick.
She
throws back her drink. “Tad,” she yells, poking him in the
arm, “Get me another one?”
“Yeah,”
he says, moving away. “Back in a minute.” Lara, next to him,
gives Jane a little smile as they walk away. Bitch.
They
don’t come back.
Three
martinis later Jane is dancing. Tad is gone. She doesn’t know
where and she doesn’t care. She loves it here. It’s bearable
and possible.
Although
orange and purple strobe lights have made the room into Disco
Hell, cool waves of music wash over her like laughter, like
the ocean. She bounces around the floor, all elbows and hair.
Silly Jane.
Talkin’
‘bout the rain and the snow, and there’s no place to go...What
was the name of that band?...and you’re feeling like a
part of you is dying...10-CC, that’s right...you’re
looking for the answer in her eyes. You think you’re gonna
break up, instead she wants to make up...This bald guy
in front of her, nice enough looking. Big and rough, maybe
a little dim. Tad’s type. She laughs and dances closer. He
looks her up and down, slow, and grabs her by the hip...oooh,
you make me love you...his hand reaches behind her to
grab her ass, pull her into his hard cock. Too close. She
pulls back a little. He smiles, dances up and down the length
of her body. She holds him by the shoulders and dips backward,
hair touching the floor...the things we do for love...the
things we do for love...
The
song ends. During the moment of silence, the bald guy says
hello. Touches her face. She shies away. He will expect flirtation.
A phone number. Secret huddling in the dark of the upstairs
room. He’s nice, but Tad...
“Hi,”
she says, dancing away. She smiles so his feelings won’t be
hurt. Gives a little wave. The martinis are starting to wear
off. “Gotta get a drink,” she calls and heads for the side
bar. Over her shoulder, the bald guy watching her with snake
eyes.
Hours
pass.
She’s
danced off most of her good drunk buzz, and it’s time to find
Tad, drop hints about leaving. She works her way through the
lower room, chin slightly raised, smiling briefly at passers-by,
looking away as soon as she identifies them as Not-Tad. Struggling
through the crowds choking the hallway, she places her hand
on the shoulders of those she wishes to pass, and they move
away for her. She has learned some tricks.
Downstairs,
patio, bar. All filled with Not-Tads. All that’s left is the
upstairs room. The mellow-out room, with funky acid jazz washing
over the clustered forms of the soon-to-be fucking. She hates
it when she finds him here.
She
sees him right away, sitting at one of the few small tables,
lost in rapt flirtation with the bald guy she was dancing
with earlier. She’s a little surprised—although she had him
pegged right away as Tad’s type, from the way he was grinding
into her she assumed he was straight. Maybe he goes both ways,
she thinks with some irony, wouldn’t that be nice for Tad?
She grabs a drink at the bar and makes her way over to where
they’re sitting.
“Hi
honey,” she whispers, an inch from Tad’s ear. “Who’s your
friend?”
Tad
jumps, startled, turns his head. “Oh, hi. This is...what did
you say your name was?” He giggles. So attractive.
The
bald guy leans forward, takes her free hand. “Jake,” he says,
a slow grin spreading over his beefy face. She notices he’s
missing a lower front tooth. “Didn’t we meet earlier?”
Tad
looks at her. “We danced before,” she explains, “In the disco
room. You were with Lara.”
Tad
seems confused. “Here,” Jake says, pulling a chair over from
the next table, “Why don’t you sit down?”
She
slides in between them, spilling a little Manhattan on the
table. “Whoops,” she says, mopping up the mess with her cocktail
napkin. She smiles at Jake.
“Why’d
you leave before?” he asks. “Thought we were having fun.”
“Oh,
yeah, um I needed to get another drink, like I said. I came
back, but you were gone.” To Tad, “What were you guys talking
about?”
“Jake
Jarmel.”
“Who?”
“Never
mind. Hey, Jake, you want that drink we were talking about?”
Tad rises and cocks his head toward the bar.
“Yeah,
man, that’d be great,” Jake says, making no move to rise.
“Whiskey straight up?”
Tad
blinks, then walks away. Jane feels a small thrill in her
stomach. How weird, she thinks. This is definitely backwards.
She leans toward Jake. “So what are you doing with my boyfriend?”
“He
your boyfriend?” he asks, stressing the first syllable.
“Coulda fooled me.”
“What
do you mean?”
“Looks
like maybe he’s your girlfriend.”
“What’s
that supposed to mean?”
Jake
shrugs. “I don’t know. He’s cute.”
“Oh.”
She takes a sip of her Manhattan, staring at Jake over the
rim of her glass. Kind of blue-collar, but nice, very nice.
Missing tooth and all. Bet he has a big one. She smirks. Begins
to feel drunk again.
“So
you guys have a thing going?”
“Yeah,”
she says, “For a while.”
“Good
thing?”
“The
best.”
“You
know, they say variety is the spice of life.” He gives her
another long, drooly grin and takes her hand, running his
index finger up her forearm. “Maybe we could see—”
“See
what?” asks Tad, back with the drinks. He is clearly pissed.
Jane sits up straight in her chair, avoiding eye contact.
She tries to remove her hand, which is hot and cold at the
same time, but Jake holds firm.
“See
about a party later.” His fingers on the sensitive part of
her inner arm. Where Tad never strokes, although she’s hinted
she loves it. She feels herself getting hot. Wet.
“A
party?” Tad sits down and slides Jake’s drink across the table.
He does not look at Jane.
“Yeah,”
says Jake. “After this place closes, how ‘bout the three of
us take off?” Under the table, Jane feels Jake’s leg slide
past her knee and come to rest, she imagines, on Tad’s crotch.
Tad slouches down and moves his shoulders. To the right, the
left. Getting comfortable. He looks at her and raises his
eyebrows. She shrugs. Almost starts laughing. You wanna?
Sure, why not? As though they do this all the time. As
though they’ve ever done anything like this before. It will
make him happy, she thinks, testing the validity of the lie.
He will have fun, and we will laugh about this later. Jake’s
leg, under the table, moving, rotating. A small noise from
Tad. She could do this. Them.
“How
about your place, sweetie?” Jake’s hand on her thigh, squeezing
the soft flesh next to her pussy.
“Okay.”
Jane
in her kitchen, mixing up some drinks. A nice spacious kitchen,
she thinks, narrow cabinets and all. She keeps it clean, her
mother taught her that much. Two lemons, sliced. A plate of
sugar. Three shot glasses. She arranges everything on a serving
tray and grabs the bottle of Absolut Citron from the freezer.
Tries not to think about what she’s doing. Why.
A
pile of lemon rinds scattered across the coffee table. The
bottle empty. Jake on her left, nibbling her earlobe. Tad
in the bathroom. Jane, hot and moist, nearly unconscious.
His hand on her breast. “You ready?” he whispers, twisting
her nipple.
“Wait
for Tad.”
“Whatever
you say.” Kissing the back of her neck.
“Tad.”
In
her bedroom. The three of them. In a pile on her bed. Jane
on her back, naked from the waist up, Jake straddling her,
licking her nipples. Tad sitting next to her, hand on her
stomach, biting Jake’s neck. Little grunts of pleasure.
She
hasn’t touched anyone but Tad in two years. Not let anyone
touch her. He feels strange, Jake, his hands doing different
things to her, different from Tad. It’s nice, but it’s not
Tad. She turns to Tad and presses against the length of his
thigh. Puts her hand between his legs. Tad pulls Jake to him,
kissing him deeply. Jake pulls back a little and looks at
her. She smiles weakly and nods a little. Jake, mouth against
Tad’s, begins to unbutton her jeans. She lifts her hips. His
hand slips down into her panties.
Tad
breaks away and pulls off his clothes. Naked, he begins to
undress Jake, biting his neck and licking his back. Jane’s
jeans are thrown to the floor. She reaches for Tad. Wants
him in her. Jake next to her, stroking her. Tad panting. She
feels him enter her. Feels him withdraw. He moves behind Jake.
She closes her eyes. Now it will come, she thinks.
Jake
grunts, lurches, and Jane opens her eyes. Tad is crouched
on the floor, holding his stomach. “None of that, man,” Jake
says. “I ain’t here for that kind of thing.” He takes her
wrists and raises her arms over her head. Kisses her left
armpit.
“Then
what?” Tad gasps, panting harder. He must have kicked him
pretty hard, Jane thinks, struggling to get free. He must
be hurt.
“For
her,” Jake says, holding her wrists tighter, biting her neck.
“What did you think?”
This
isn’t supposed to happen, she thinks. This is supposed to
be for Tad. A nice surprise for Tad. She cries out as Jake
enters her. Feels a hand over her mouth. She struggles, opens
her eyes.
Tad
is standing next to the bed, looking down at her with something
close to hatred. She pleads with her eyes, get him away from
me, get him off. Bitch, he mouths, and walks away.
She tries to scream, but Jake pushes his tongue into her mouth,
thrusts it in time with his cock in her body. She bites him
and bucks beneath him, but he only laughs, and slaps her across
the face, holding her wrists in one hand, pounding into her,
harder and harder.
“You
like it like this, don’t you baby? I can tell by the way you
move.”
And
somewhere within her, beneath the horrible strangeness of
his body and the screams he will not let her utter, she does.
Years
pass and he ejaculates, spilling seed onto her stomach in
a large, loose pile. Still holding her hands above her head,
he traces the outline of her face with his free hand. “That
was good, sweetheart. Real good.” He grins, his missing tooth
winking at her. “Think you’ll be wanting more in a little
bit?”” he moves one of her hands to his cock, already getting
stiff again. She squeezes it hard, and he grunts, releasing
her. She twists out from under him and runs for the bathroom,
sobbing and screaming. Get him out. Make him leave. Get him
the hell away from her. Jake shouting behind her, “What’s
the fuck’s your problem, bitch?”
Jane
stands naked in the shower, shaking, the spray scalding her.
She cannot get clean. Cannot stop crying. What happened? she
thinks. What just happened? She will have to burn the sheets.
Did he rape me? she wonders, or did Tad? She wraps her arms
around her body and collapses to the floor. Who let this happen
to me? She tries to speak, cannot.
Somewhere
in the distance of the living room, she hears conversation.
Jake pissed, not understanding why she got so freaked out.
Tad, soothing, explaining Jane was easily upset, not very
good with this kind of thing. Tad suggesting that perhaps
they should talk later, another time. An offer of his phone
number. Hers.
She
finds her voice, screams, “No, no, no,” again, louder. A slow
cycle building. The dirt on her skin, the slime. The semen.
She stands and pounds her fists against the tile. Howls. The
bastard, the fucker.
When
Tad slides open the shower door and steps in, she throws herself
at him, sobbing. He takes her in his arms and holds her gently.
“Silly
Jane,” he says, “don’t be afraid. Everything will be fine.”
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